March (9 to 5), ink on chromatography paper soaked in Tylenol and Marijuana solution, 40 x 32 inches
Detail, March (9 to 5), ink on chromatography paper soaked in Tylenol and Marijuana solution, 40 x 32 inches
April (My Face), ink on chromatography paper soaked in Tylenol and Mezcal solution, 40 x 32 inches
Detail, April (My Face), ink on chromatography paper soaked in Tylenol and Mezcal solution, 40 x 32 inches
Week I (April 13-19 2020), ink on 7 sheets of chromatography paper soaked in Vodka, Marijuana, Tylenol, Gin, Advil, Mezcal, and Amoxicillin solutions, 5 x 31.5 inches
Lunes, ink on chromatography paper soaked in Zoloft solution, 40 x 32 inches
Installation View, First of July and August 24 (Ondas de Luz)
May 2, ink on chromatography paper soaked in Marijuana solution, 24 x 19 inches
Installation View, Mark Moore Fine Art
Gel Monochrome I, oil on linen, 80 x 56 inches
The Crimes of Paris, oil on canvas, 64 x 192 inches, Installation View, The Friedrick R. Weisman Collection, Los Angeles, CA
Installation View, Mark Moore Fine Art
The Great New Wave, oil on canvas, 72 x 110 inches, Installation View, The Aldrich Contemporary Art Museum
Dream of the Centerless World, oil on canvas, 64 x 182 inches
Reflection Pearls, oil on canvas, 64 x 96 inches
Oracle, oil on canvas, 64 x 96 inches
Installation View, Mark Moore Fine Art
C10H22O7 + C10H16 + C18H32O2, oil on canvas, 66 x 108 inches
What Came First, oil on canvas, 64 x 96 inches
Titanium, oil on canvas, 40 x 110 inches
Darkness, oil on canvas, 64 x 96 inches
Installation View, Mark Moore Fine Art
Opening, 3-channel video projection, Installation View, The Tarble Art Gallery
Installation View, Mark Moore Fine Art
Her Fantasy, oil on canvas, 60 x 90 inches